- Bahrain Airshow 2016
- Fine Arts
- Halwa Showaiter
- Monet’s Garden
- John Dory, baked.
MyRefractions.com met Peter Rushton in his 11th floor offices at the World Trade Centre building in Diplomatic Area, Manama, Bahrain recently. MyRefractions.com wish to thank Mahmood Al Awadhi, a good friend and a capable Administrator for initiating the meeting with Peter.
Peter was recovering from a mild stroke but was so kind enough to share his life experiences and how it feels to be a creative source of positive energy.
Some excerpts from our conversation… some images of his paintings… and himself.
Please scroll down for more.
Is there an artwork here you are most proud of? Why?
There is a painting that I dearly cherish which has been in many an exhibition I have entering, but has not included a price tag. During 1978 when I was in England and were unsure of my future direction at that time, I had a vision in my mind of a beautiful young lady with who wore a head scarf. She had a tanned skin and vivid blue eyes. This was at a time when I was using an airbrush which needed a lot of preparation and precision in technique. I look back now and the painting was depicting of what lay ahead of me for the years to come. After 19 years in the Middle East, I should have questioned my visual ability a bit more seriously.
– What inspired you to become an artist?
From the time that I could draw properly I had a passion. I grew up wanting to express art in various ways, allowing the subject matter dictated which technique I adopt.
-What is your most important artist tool? Is there something you can’t live without in your studio?
I have a number of tools that I use in most paintings, namely a wide variety of brushes and sponges. The tool that seems I can’t live without; certain in my studio are my knives. This includes a pallet knife up to a bread carving knife from the kitchen! Mostly, I use acrylic paint as it is faster to use than oils however, you can get the same depth and textured when the paint is being applied by a knife.
– How did you get where you are today?
My influences are first and foremost everything I see, feel and experience, but I’ve always loved the unexpected. My love is the rhythm of life and how it can be represented. Plus a lot of hard work, commitment and dedication!
– What is the main challenge you face when beginning a painting?
I’m never without a creative thought as I am constantly being inspired by what is around me; sometimes the thoughts are left in my mind and other times they develop into more in-depth ideas and detailed images.
– At what point in the process of the painting do you begin to feel like the painting is almost completed?
A painting tells me when it’s finished, in fact, there have been times when I could not put another stroke on the canvas; the painting would not let me! A painting develops its own life as it being created.
– How has painting influenced your life?
During my years in London where I exhibited and also became a critic at private shows, the exposure to various subject matters and styles of art has played a significant influence in my creative approach today.
– What qualities do you look for in other artists whom you would like to work with?
I would say that I wouldn’t want to work with other artists as I have done that before and I believe there needs one Captain of a ship. If I would to critic the qualities of what makes a good painter, I would say they would need to be Inspiring, concept driving, emotional, original and passionate.
– How do you manage balancing work/life?
It is difficult. However, my day to day function demands that I use my creative ability and use the experience that I gained being Creative Director for Advertising Agencies throughout my career. I naturally employ these skills with the Team and the Agency we work with. Thinking original thoughts and guiding those that need them makes up some ways in equalizing the balance.
– What do you like most about your career?
I didn’t intend to be a contemporary artist but over the years, as my portfolio styles naturally evolved from a photographic illustrative style to looser acrylics and people started to review my work at International Exhibitions, the descriptions started to emerge and I began to notice a style I hadn’t intended but am now pleased with.
-What are you working on at the moment?
As most appreciated in my last exhibition, I am drawing to the close of a painting which features two sunflowers which adopts a style that was very well received. At the same time, I have two canvases which I am starting for a project that I am really looking forward to. I see them as a pair, working together and creating a harmony in their form.
-Where else can we find you? (Blog, website, twitter, facebook etc)
I have utilized a website for a number a years and I am just updating my site. What with the Social Media leading the way, I am in the process of uploading my work onto my Facebook site for ease of visual access.
-Do you admire any artists / photographers?
The artist I most admire is Salvador Dali. For me, he was a genius before his time in conceptual thinking and technique.
-What is your favorite…
One of the Jewel colours appeals me most; a ‘charoite’ sits well with most other colours and yet is very unique in its vibrancy.
I have two Golden Retriever dogs, a mum (Sophie) and her daughter (Sunny). When they play, you know they are around and yet when I am being serious about painting, they quietly sit in my studio and keep me company.
As a gardener, I enjoy the blossom of plants that have lasted the winter. Spring adds colour, shape and form and adds life to its environment.
-Do you have any tips or inspiring words for others?
“Rules are what the artist breaks; the memorable never emerged from a formula.”